My book club just read “Her Fearful Symmetry” by Audrey Niffenegger.
I hated it and will, forthwith, enumerate the reasons why.
Number one: Third person omniscient point-of-view sucks anyway, and Niffeneggar executed it particularly badly in this novel, sometimes writing from different characters’ perspectives in the same paragraph.
Number two: Only one of the characters was remotely likable and had a compelling arc. That was Martin, the upstairs neighbor who suffered from Obsessive-Compulsive Disorder. As you might have guessed, the upstairs neighbor was not one of the main characters. All the main characters were needy, whiny, pathetic, and/or generally uninteresting.
Number three: The author put all the characters’ thoughts in italics…and there were a lot of them. Here’s a sample: “Martin stood holding the letter. The worst thing has happened. He could not take it in. She’s gone. She would not come back.”
Take out italics; a little shift in tense…Presto change-o! Tell me it’s not better thus: “Martin stood holding the letter. The worst thing had happened. He could not take it in. She was gone. She would not come back.”
Number four: The “twist” was predictable. It had been done better and, more importantly, twenty-five years ago in a Young Adult novel I read called Stranger with My Face by Lois Duncan.
Number five: The denouement was wholly unsatisfying. I’m thinking she was under deadline and wrote the last 30 pages in 30 minutes. “OK, this one has a baby, the guy leaves her, so-and-so gets a boyfriend, and what’s-her-name finds a crow to fly away on. Done! Whew!”
I could give you more reasons why I hated this book, but I hope that gives you enough to go on.
Thanks for asking.
try Room, by Emma Donoghue
Amy, have you read “Let the Great World Spin” (note the upcoming question mark placement)? My bookclub loved that one, and I think you would too.
Hey buddy,
Post that on Amazon.